Salaam Bollywood: Representations and Interpretations (Record no. 106123)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02647aam a2200193 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 170417b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138220133 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430954 |
| Item number | SAL |
| 245 ## - TITLE STATEMENT | |
| Title | Salaam Bollywood: Representations and Interpretations |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Routledge |
| Date of publication, distribution, etc | 2016 |
| Place of publication, distribution, etc | Oxon |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 319p |
| 500 ## - GENERAL NOTE | |
| General note | Salaam Bollywood: Introduction / Vikrant Kishore, Amit Sarwal and Parichay Patra<br/><br/>Part I: Histories: Mainstream and Alternative<br/>1. Myths, Markets and Panics: Speculating about the Proto-Cinematic Historical Significance of the Popularity of Two Parsi Theatre Plays at the Turn of the Twentieth Century / Kaushik Bhaumik<br/>2.The Left Encounter: Progressive Voices of Nationalism and Indian Cinema to the 1950s / Binayak Bhattacharya<br/>3. Genre Mixing as Creative Fabrication / M. Madhava Prasad<br/>4. What Do the Villains Have? Indian Cinema’s Villains in the 1970s / Hariprasad Athanickal<br/>5. Inward Bound: Self-referentiality in Bombay Cinema / Prateek <br/><br/>Part II: Bollywood Dance: Re-reading History<br/>6. Dancing to the Songs: History of Dance in Popular Hindi Films / Shruti Ghosh<br/>7. Designing the Song and Dance Sequences: Exploring Bollywood’s Cinematic Creativity / Vikrant Kishore and Susan Kerrigan<br/>8. The Item Girl: Tradition and Transgression in Bollywood Dancing / Amita Nijhawan<br/><br/>Part III: Changes in the City Scape, Changes in Cinema<br/>9. Regionalist Disjuncture in Bollywood: Dabangg and the Consumerist Cinema / Hrishikesh Ingle<br/>10. Mourning and Blood-Ties: Macbeth in Mumbai / Moinak Biswas<br/>11. Black Friday: A Screen History of the 1993 Bombay Bomb Blasts / Rajdeep Roy<br/>12. The Re-Mapped Dialectics of Contemporary Indian Cinema: Kahaani and That Girl in Yellow Boots / Shaheen S. Ahmed<br/><br/>Part IV: Other Regions, Other Nations<br/>13. Marking out the "South" in/of Hindi Cinema: An Approach via Remakes / Nikhila H.<br/>14. Between Solidarity and the Stereotype: Chandni Chowk to China / S. V. Srinivas<br/>15. The Khan Mania: Universal Appeal of Superstar Shahrukh Khan in a Post-globalized Bollywood Era / Sony Jalarajan Raj, Rohini Sreekumar and Fikri Jermadi<br/>16. Old Wine in a New Bottle: Bollywood Films Shot in Australia after 9/11 / Sanchari De and Amit Sarwal<br/>17. The Way Cinema was Banished: The Intervention of Cinema Studies in India / Parichay Patra |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Motion Picture Industry - India - Mumbai |
| 9 (RLIN) | 11510 |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Media Studies - Bollywood |
| 9 (RLIN) | 11511 |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Kishore, Vikrant |
| Relator term | Editor |
| 9 (RLIN) | 11512 |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sarwal, Amit |
| Relator term | Editor |
| 9 (RLIN) | 11513 |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Patra, Parichay |
| Relator term | Editor |
| 9 (RLIN) | 11514 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Item type | Book |
| Call number prefix | 791.430954 |
| Call number suffix | SAL |
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