Film and Video Editing Theory: How Editing Creates Meaning (Record no. 114547)

MARC details
000 -LEADER
fixed length control field nam a22 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190701200203.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190529b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138202078
040 ## - CATALOGING SOURCE
Transcribing agency
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 777.55
Item number FRI
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Frierson, Michael
9 (RLIN) 39100
245 ## - TITLE STATEMENT
Title Film and Video Editing Theory: How Editing Creates Meaning
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 2018
Place of publication, distribution, etc. New York
300 ## - PHYSICAL DESCRIPTION
Extent 327p
440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE
Title A Focal Press book
9 (RLIN) 39101
500 ## - GENERAL NOTE
General note 1. Herbert Zettl, vectors and approaches to building screen space<br/>2. Noël Burch, PMR vs. IMR, and continuity editing in a 5 x 3 matrix<br/>3. Hollywood theorists: Edward Dmytryk and Walter Murch<br/>4. David Bordwell, the narrative functions of continuity editing, and intensified continuity<br/>5. Eisenstein and montage<br/>6. Realism and André Bazin<br/>7. Dream and ritual: Andrei Tarkovsky and Maya Deren<br/>8. Rhythmic and graphic editing.
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Motion Pictures - Editing
9 (RLIN) 39102
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Call number prefix 777.55
Call number suffix FRI

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