Film and Video Editing Theory: How Editing Creates Meaning (Record no. 114547)
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000 -LEADER | |
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fixed length control field | nam a22 4500 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20190701200203.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 190529b ||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138202078 |
040 ## - CATALOGING SOURCE | |
Transcribing agency | |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 777.55 |
Item number | FRI |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Frierson, Michael |
9 (RLIN) | 39100 |
245 ## - TITLE STATEMENT | |
Title | Film and Video Editing Theory: How Editing Creates Meaning |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 2018 |
Place of publication, distribution, etc. | New York |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 327p |
440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE | |
Title | A Focal Press book |
9 (RLIN) | 39101 |
500 ## - GENERAL NOTE | |
General note | 1. Herbert Zettl, vectors and approaches to building screen space<br/>2. Noël Burch, PMR vs. IMR, and continuity editing in a 5 x 3 matrix<br/>3. Hollywood theorists: Edward Dmytryk and Walter Murch<br/>4. David Bordwell, the narrative functions of continuity editing, and intensified continuity<br/>5. Eisenstein and montage<br/>6. Realism and André Bazin<br/>7. Dream and ritual: Andrei Tarkovsky and Maya Deren<br/>8. Rhythmic and graphic editing. |
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Motion Pictures - Editing |
9 (RLIN) | 39102 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | Dewey Decimal Classification |
Koha item type | Book |
Call number prefix | 777.55 |
Call number suffix | FRI |
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