Companion to Literature and Film

Novels,Films,and the Word/Image Wars
Sacred Word, Profane Image: Theologies of Adaptation
Gospel Truth? From Cencil B Demille to Nicholas Ray
Transecriture and Narrative Mediatics: The Stakes of Intermediality
The Look: From Film to Novel.An Essay in Comparative Narratology
Adaptation and Mis Adaptations: Film,Literature,and Social Discourses
The Invisible Novelty: Film Adaptations in the 1910s
Italy and America: Pinocchio's First Cinematic Trip
The Intertextuality of Early Cinema: A Prologue to Fantomas
Cosmopolitan Projections: Word Literature on Chinese Screens
The Rhetoric of Interruption
Visualizing the Voice: Joyce, Cinema, and the Politics of Vision
Adapting Cinema to History: A Revolution in the Making
Photographic Verismo, Cinematic Adaptation, and the Staging of a Neorealist Landscape
The Devil's Parody: Horace Mccoy's Appropriation and Refiguration of Two Hollywood Musicals
The Sociological Turn of Adaptation Studies: The Example of Film Noir
Adapting Farewell, My Lovely
Daphne du Maurier and Alfred Hitchcock
Running time: The Chronotope of The Loneliness of the Long
From Libertinage to Eric Rohmer: Transcending "Adaptation"
The Movement of Portraiture: Scorsese Reads Wharton
The Talented Poststructuralist: Hetero Masculinity, Gay Artifice,and Class Passing
From Bram Stoker's Dracula to Bram Stoker's Dracula
The Bible as Cultural Object(s) in Cinema
All's wells that Ends Wells: Apocalypse and Empire in the war of the worlds