000 | 02647aam a2200193 4500 | ||
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008 | 170417b xxu||||| |||| 00| 0 eng d | ||
020 | _a9781138220133 | ||
082 |
_a791.430954 _bSAL |
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245 | _aSalaam Bollywood: Representations and Interpretations | ||
260 |
_bRoutledge _c2016 _aOxon |
||
300 | _a319p | ||
500 | _aSalaam Bollywood: Introduction / Vikrant Kishore, Amit Sarwal and Parichay Patra Part I: Histories: Mainstream and Alternative 1. Myths, Markets and Panics: Speculating about the Proto-Cinematic Historical Significance of the Popularity of Two Parsi Theatre Plays at the Turn of the Twentieth Century / Kaushik Bhaumik 2.The Left Encounter: Progressive Voices of Nationalism and Indian Cinema to the 1950s / Binayak Bhattacharya 3. Genre Mixing as Creative Fabrication / M. Madhava Prasad 4. What Do the Villains Have? Indian Cinema’s Villains in the 1970s / Hariprasad Athanickal 5. Inward Bound: Self-referentiality in Bombay Cinema / Prateek Part II: Bollywood Dance: Re-reading History 6. Dancing to the Songs: History of Dance in Popular Hindi Films / Shruti Ghosh 7. Designing the Song and Dance Sequences: Exploring Bollywood’s Cinematic Creativity / Vikrant Kishore and Susan Kerrigan 8. The Item Girl: Tradition and Transgression in Bollywood Dancing / Amita Nijhawan Part III: Changes in the City Scape, Changes in Cinema 9. Regionalist Disjuncture in Bollywood: Dabangg and the Consumerist Cinema / Hrishikesh Ingle 10. Mourning and Blood-Ties: Macbeth in Mumbai / Moinak Biswas 11. Black Friday: A Screen History of the 1993 Bombay Bomb Blasts / Rajdeep Roy 12. The Re-Mapped Dialectics of Contemporary Indian Cinema: Kahaani and That Girl in Yellow Boots / Shaheen S. Ahmed Part IV: Other Regions, Other Nations 13. Marking out the "South" in/of Hindi Cinema: An Approach via Remakes / Nikhila H. 14. Between Solidarity and the Stereotype: Chandni Chowk to China / S. V. Srinivas 15. The Khan Mania: Universal Appeal of Superstar Shahrukh Khan in a Post-globalized Bollywood Era / Sony Jalarajan Raj, Rohini Sreekumar and Fikri Jermadi 16. Old Wine in a New Bottle: Bollywood Films Shot in Australia after 9/11 / Sanchari De and Amit Sarwal 17. The Way Cinema was Banished: The Intervention of Cinema Studies in India / Parichay Patra | ||
600 |
_aMotion Picture Industry - India - Mumbai _911510 |
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600 |
_aMedia Studies - Bollywood _911511 |
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700 |
_aKishore, Vikrant _eEditor _911512 |
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700 |
_aSarwal, Amit _eEditor _911513 |
||
700 |
_aPatra, Parichay _eEditor _911514 |
||
942 |
_2ddc _cLB _k791.430954 _mSAL |
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999 |
_c106123 _d106123 |