000			01322nam a2200181 4500
008			170719b xxu||||| |||| 00| 0 eng d
020			_a9781138914612
082			_a770 _bKRI
100			_aKriebel, Sabinet T. _917786
245			_aPhotography and Doubt
260			_bRoutledge _aNew York _c2014
300			_a275p
500			_aRecent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place.Photography and Doubt reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
600			_aHumanities and Social Science _99370
700			_aKriebel, Sabinet T. _eEditor _917786
700			_aZervigon, Andres Mario _eEditor _917787
942			_2ddc _cLB _k770 _mKRI
999			_c107580 _d107580